![]() High Plains Chautauqua August 7-11, 2012 Courage and Conviction in America |
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W.E.B. DU BOIS (1868-1963)
by Charles Everett Pace William Edward Burghardt Du Bois’s ideas show how one man turned his vision for a more democratic America into a concrete reality. Du Bois used scholarship, activism and art to build an interracial coalition of leaders that mobilized the black public, transcended the obstacle of white supremacy, and advanced democracy in America. As a scholar Du Bois worked alone and with an international group of black and white scholars to discredit any claims of a scientific basis backing white supremacy. Their ground-breaking published research gave compelling arguments that race was socially constructed and not genetically determined, as science then asserted. But the Atlanta, Georgia, white race riot in 1906 convinced Du Bois that scholarship must be empowered by public action in order to stop the terror. The lynching of 69 blacks in 1909 made the case that vision must be empowered by public action. The 1908 Springfield, Illinois white race riot was the catalyst for political mobilization and Du Bois’s role as an activist. It confirmed that the terrorist campaign directed at Americans of African descent was not only Southern but national in scope. In response, a creative coalition of white New York liberals and a select group of black leaders founded The National Association for the Advancement of Colored People (NAACP) in 1909. Du Bois quickly emerged as the national personification of the Association. His vision moved tens of thousands who read The Crisis, NAACP’s monthly magazine that he founded and edited. NAACP victories came slowly, but surely, and most significantly through a series of victorious United States Supreme Court decisions including the 1954 Brown v. Board of Education, which struck down the legal basis for white supremacy. Du Bois’s role as an artist engaged him in both collaboration and conflict within his race. Two decades after his epic battle with Booker T. Washington, Du Bois locked horns with the young artists of the New Negro Arts Movement known as the Harlem Rennasissance. This 1920s flowering in music, theatre, dance, visual and plastic arts including photography, and especially literature, reflected a difference of concept more than of generation. Du Bois argued that if the arts were to self-consciously propagate the idea of a co-equal black humanity, then the power of the ideology of white supremacy would be weakened. Du Bois wrote The Dark Princess, his third novel, to illustrate his concept of black art. The “Young Turks,” however, opted for an “art for art’s sake” approach. Yet, Du Bois took their vehement disagreement as a positive sign: diversity of voices represents democracy in action. The merit of the work itself, however, proved most persuasive – an inferior people do not produce superior work. Thus, this third tool of his triumvirate of scholarship, activism, and art – touching the heart, as well as the mind – imaginatively made the case for our common humanity. CHARLES EVERETT PACE
Charles Everett Pace was a program advisor for the Texas Union, University of Texas at Austin, and taught at The University of Nebraska-Lincoln, Purdue University, and Centre College of Kentucky. Pace graduated from Texarkana Community College, The University of Texas at Austin (B.A. biology) and Purdue University (M.A. American studies-history/anthropology). A 17-year veteran of the Great Plains Chautauqua, Pace and George Frein gave the keynote address at the final Presidential debate between Senators John McCain and Barack Obama. Pace has also conducted U.S. Government Public Diplomacy Missions in 25 cities and nine countries across Africa. He does Chautauqua presentations as Frederick Douglass, Booker T. Washington, W.E.B. Du Bois, Langston Hughes and Malcolm X. This provides the background for his latest work in “Taking the Lead: Creative Leadership Training for Today's Students.” Charles Everett Pace is a full time Chautauquan, a Silver Life Member of the NAACP, travels nationally and lives in Texarkana, Texas. To learn more about Pace, go to www.charleseverettpace.com W.E.B. DU BOIS
QUOTES [As a graduate student in Germany] “I began to feel that dichotomy which all my life has characterized my thought: how far can love for my oppressed race accord with love for the oppressive country? And when these loyalties diverge, where shall my soul find refuge?” “Moreover, it must not be forgotten that this Tuskegee Machine (Booker T. Washington) was not solely the idea and activity of black folk at Tuskegee. It was largely encouraged and given financial aid through certain white groups and individuals in the North.” “Most of my friends and helpers have been women. . . . My life . . . threw me widely with women with brains and great effort to work on the widest scale. I am endlessly grateful for these contacts.” “The opposition to Negro education in the South was at first bitter, and showed itself in ashes, insult, and blood; for the South believed an educated Negro to be a dangerous Negro.” “I was a lusty man with all normal appetites. I loved ‘Wine, Women and Song.’ I worked hard and slept soundly, and if, as many said, I was hard to know, it was that with all my belligerency I was in reality unreasonably shy.”
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